Showing posts with label education. Show all posts
Showing posts with label education. Show all posts

December 14, 2011

Is Law School Worthless?

I have a confession to make: I liked law school. Hard to believe, but it’s true. To be sure, I always enjoyed school and liked learning about new stuff, so that certainly helped. Plus, I made the decision early on to focus on taking classes that interested me intellectually, rather than simply load up on stuff I needed to learn to pass the bar exam (that’s what bar review courses are for, you see).

Here’s another confession: I use very little of the substantive stuff I learned in law school in my current practice. Not because I skipped the bar exam classes, but because the real practice of law involves so many things that don’t fit neatly into the pages of a hornbook. There’s no good way to read about how to tell a client he’s facing life in prison or that, in spite of what the law on the books might say, he’s not going to prevail on appeal.

That split, between what you learn in law school and what you need to know to actually practice law, is getting renewed attention these days, partly due to the fact that going to law school is so fucking expensive. In spite of the tens of thousands of dollars of debt freshly minted lawyers run up, more and more firms have to spend valuable time (and money) training even the best and brightest to actually practice law, rather than merely think like a lawyer. Is it time for legal education to change?

Stanley Fish, who teaches some of the more esoteric stuff at Yale, makes a spirited defense of legal education as something more than a trade school here. For Fish, it’s about being able to work for a client with knowledge of the broader context of things:
One can, however, make the case that the practice of law is more than a technical/strategic exercise in which doctrines, precedents, rules and tests are marshaled in the service of a client’s cause. The marshaling takes place within an enterprise that is purposive. That is, law is more than an aggregation of discrete tactics and procedures; it is an enterprise informed by a vision of how the state can and cannot employ the legalized violence of which it is the sole proprietor. That vision will come into view in the wake of a set of inquiries. What obligations do citizens owe one another? How far can the state go in enforcing those obligations? What restrictions on what the state can do to (and for) its citizens should be in place? How do legal cultures differ with respect to these issues?
On a philosophical level, I agree with Fish. He’s made similar arguments about the demise of liberal arts education in college, and perhaps I’m biased when it comes to such arguments. The focus of my undergrad education – history, philosophy, political science – was not exactly designed to widen my employment prospects (at the time, I didn’t know historians could get millions lobbying for . . . er, I mean, “consulting” for financial institutions). And, as I said, the electives I took in law school were much more about intellectual stimulation than cramming rules into my brain. I’d like to think all that stuff at least informs the way I do may daily work. Besides, I’m a big fan of learning for the sake of it.

But on a practical level, I think he oversimplifies things. Yes, a legal education should include some of the more longhaired stuff Fish champions. That doesn’t mean it can’t also address some of the more practical aspects of being a lawyer. It’s not an either/or proposition. Or, at least, it shouldn’t be.

Expanded clinical programs have addressed those issues somewhat over the years, but they’re not big enough at most schools to allow all students to participate. Something more radical is necessary, probably something modeled on the kind of internships doctors in training go through. Whether that would be a replacement for law school’s third year or some sort of compliment to it, I don’t know. What I do know is that while we don’t want law schools turning into simple trade schools, neither do we want them to become so obsessed with theory and the esoteric that they don’t really prepare students to be lawyers.

So, end the end, is law school worthless? I don’t think so. I can be improved, though. And I will say this to anyone weighing whether to go to law school: For the love of your God, don’t do it unless you really want to be a lawyer! It’s too damned expensive (and too hard, frankly) to be a way station on the road to somewhere else.

September 15, 2011

Rock Rulz! Bach Droolz!

I stumbled across a couple of posts from one of the New York Times's blogs over the past few days that discussed music education in the schools. The substance of the posts, and the program they discuss, are interesting in their own right. More interesting, or at least more fun to read and snicker at, is the elitist pearl clutching going on in the comments. For the end is nigh, citizens – rock and roll is going to school.

The program discussed in the first post is called Little Kids Rock. It seeks to add a new track to the traditional public school music programs (band, orchestra, etc.) called "contemporary band," along with providing instruments (guitars, mostly) to make it possible. Instead of relying on a well-worn repertoire of "traditional" music, the program focuses on pop stuff that the kids know and are interested in:
On the first day of class, Little Kids Rock teachers place guitars in the hands of their students and get them practicing chords that will enable them to play thousands of songs. (Many simple lessons are freely available online here.) The kids decide what songs they want to learn and the class is off and running. Their progress is remarkable. Within a year, eight- and nine-year-olds are playing electric guitar, bass guitar, drums and keyboards, and giving concerts, even performing their own songs. And the effect is predictable: the children can’t get enough of it.
The idea is that presenting kids with established methods based on traditional music – be it from the classical repertoire or old folk songs – not only fails to get the kids excited by music, it turns them off from it altogether. That may be a false assumption from which the start, but it seems reasonable to me. Depending, of course, on what the purpose of music education programs is going to be. If it's to being training the next generation of players, that might not work. On the other hand, if the goal is to create kids (and, therefore, adults) for whom music becomes important in their lives, it makes a great deal of sense.

Predictably, the idea that rock music might have a legitimate pedagogical position alongside the old masters freaked some people completely out, to the point where the original writer addressed them in a second post. Putting aside one very relevant criticism (that I'll get to in a minute) and the simple misunderstandings, what shines through is an elitist fear that the barbarians have truly breached the ivory tower: allowing pop in the classroom will "dumb down" music education, or letting kids choose what kind of music to learn about is "quite ridiculous" because "[m]ost popular music that students listen to is redundant and simplistic."

That attitude, it seems to me, is most evident in a pair of comments that are less direct, but still elitist:
Many were upset by the idea that schools should teach anything but serious music — like classical music or jazz. (It's worth remembering that people raged against the introduction of school jazz bands 40 years ago, too.) Diekunstder, from Menlo Park, Calif. (25), commented: '[T]here is no classical music industry shoving its values down the public's throat, rather, it is popular music which pervades every corner of contemporary 'culture.'' And Fed Up (44), worried: 'Is this the death knell for classical music and opera? Methinks so. Sad!'
In other words, school music programs aren't about really teaching kids about music, they're a front in the culture wars, a place to beat back the heathen hordes of the Lady Gagas and Kanye Wests of the world. I'm not going to concede that introducing students to new things and ideas isn't an essential part of education, but if the goal is to link "music" to "dull stuff I have to do in school," I can think of few better ways to do it than place the whole of pop culture beyond the reach of teachers and their students.

And, anyway, as the second post points out, programs like Little Kids Rock aren't out to displace more traditional musical programs from the schools. It’s an additional way of reaching kids, which is never a bad thing. Hook kids on the nuts and bolts of music using what they like, then they might more easily appreciate new things thrown at them later. It's not an either/or proposition.

Now, the one very valid criticism I noted earlier. As several comments pointed out, the arguments in favor of programs like Little Kids Rock appear to assume that they have healthy existing traditional school music programs upon which they can build. Sadly, in 21st-century America, few things are more easily brushed aside than arts programs in schools. Never mind the evidence that kids who participate in arts programs do better in school and tend to be more successful down the road. It's fluff and it doesn’t have a standardized test at the end, so cash strapped school districts see it as a place to trim the fat.

But that's no reason to reconsider how music education programs work where they exist. And, maybe, if the ones that are around are perceived as being more successful (however that's measured), it will be easier to ensure their survival down the road.

March 17, 2011

Facing Reality

When I took the SAT, back in the last millennium, it was all bubble filling and multiple choice questions, just as Xenu intended. A few years ago they added an essay, which seems like a good idea to me. Being able to write well is a critical skill (says the guy who writes for a living - winning!) and one that we should focus on more. Besides, in my reading, the purpose of these essays isn't to determine a test taker's scope of knowledge, but just give him or her a jumping off point for the essay. It's about the writing, not the substance, in other words.

So, unless I'm really mistaken about something, I just don't get the kerfuffle over a prompt on this past week's SAT that *shock horror* referenced reality TV. Via the New York Times college blog, here's the full prompt:
Reality television programs, which feature real people engaged in real activities rather than professional actors performing scripted scenes, are increasingly popular.

These shows depict ordinary people competing in everything from singing and dancing to losing weight, or just living their everyday lives. Most people believe that the reality these shows portray is authentic, but they are being misled.

How authentic can these shows be when producers design challenges for the participants and then editors alter filmed scenes?

Do people benefit from forms of entertainment that show so-called reality, or are such forms of entertainment harmful?
It makes perfect sense to me. It’s a pair of semi-philosophical questions asked against the background of reality TV. It’s not looking for a summary of the last season of Real Housewives of Beverly Hills. It’s not asking for a compare and contrast on the metaphysics of Snooki versus The Situation. Anybody should be able to write something based on what’s provided in the prompt.

It amuses me the number of people who object that the use of reality TV as a topic on the SAT because it somehow debases a standardized test. More amusing are the people who complain that, since they never watch anything as stupid as reality TV, how can they write an essay about it?

Look, I’m no fan of the reality TV boom. If it all disappeared tomorrow, I’d not miss it. And I know next to nothing about who’s on what show and doing what to whom. But I know what a force reality TV has been in the culture and the entertainment industry over the past decade or more. If someone is so out of touch that they aren’t aware of the entire genre, then writing a good essay for the SAT seems like that least of their problems.

But if you’re really that sheltered, that out to lunch, here’s everything you really need to know about reality TV, courtesy of Dave Chappelle:

Chappelles Show
The Mad Real World - Introduction
www.comedycentral.com
Buy Chappelle's Show DVDsBlack ComedyTrue Hollywood Story

Chappelles Show
The Mad Real World - Katie
www.comedycentral.com
Buy Chappelle's Show DVDsBlack ComedyTrue Hollywood Story

Chappelles Show
The Mad Real World - Sleeper Hold
www.comedycentral.com
Buy Chappelle's Show DVDsBlack ComedyTrue Hollywood Story

Chappelles Show
The Mad Real World - End
www.comedycentral.com
Buy Chappelle's Show DVDsBlack ComedyTrue Hollywood Story